Both background and foreground need to use the same lighting angles and have the same perspective. Both setups are critical to the effectiveness of the final product – the background lighting for a successful composite and the foreground lighting to sell the integration of the subject within the composited background. There are two lighting setups for a chroma: one for the background and one for the subject in the foreground. In fact, inconsistency between foreground and background lighting is a major visual cue that will give away a composited greenscreen shot. However, the foreground should be lit very carefully in a manner that will match the composited background. This misunderstanding arises from the need to light the background evenly. The typical misconception is that greenscreen shots must be flat lit. The Green / Blue screen is a very fascinating element for all kind of media productions because it opens the way to a wide imagination and the creation of impossible shots. LIGHTING A CHROMA KEY (BLUE OR GREEN SCREEN)
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